“…the Daphnis et Chloé Second Suite is given a gem of a performance, the
opening dawn sequence unravelling like a luxuriant carpet, the
principal climax truly momentous. This is a sultry, insinuating Daphnis,
stronger on seduction than on translucency, a performance steeped in a
sense of theatre, very dynamically recorded. It's the crowning glory of a
fine and compelling programme...” --Gramophone Magazine, December 2009
Gramophone Magazine
Editor's Choice - December 2009
“Nézet-Séguin’s ear for Ravel’s evocation of the twilit moments before
dawn, and the spectacular sunrise, are fabulous...I’ve not heard a more
gorgeously played orchestral disc all year.” --Sunday Times, 29th
November 2009
“Four of Ravel’s orchestral scorchers — what’s not to like? Certainly not the sensuality with which Nézet-Séguin and the Rotterdam Philharmonic pour over much of Daphnis and Chloe or the instrumental felicities of Mother Goose.” --The Times, 14th November 2009 ***
“[Nézet-Séguin] is attentive to the subtle rhythmic flexibilities of Ravel’s music and builds up the sonorities in delicate layers. Above all, he understands that the key to Ravel is not haziness but clarity.” --The Telegraph, 13th January 2010 ****
“Yannick Nézet-Séguin elicits disciplined and virtuosic playing from the Rotterdam Philharmonic Orchestra, with the superb. Recording enabling all sorts of details to be heard in Daphnis et Chloé. The muted string playing in La valse is delicious, with veiled tone and sighing portamentos.” --BBC Music Magazine, January 2010 ***
“This is sensational: Yannick Nézet-Séguin and Rotterdam will surely be one of those partnerships that magically adds up to more than the sum of its orchestral parts....I defy you to not gasp with sheer pleasure at the build-up of the Daphnis suite...Brilliantly played and superbly recorded.” --The Observer, 31st January 2010
“Four of Ravel’s orchestral scorchers — what’s not to like? Certainly not the sensuality with which Nézet-Séguin and the Rotterdam Philharmonic pour over much of Daphnis and Chloe or the instrumental felicities of Mother Goose.” --The Times, 14th November 2009 ***
“[Nézet-Séguin] is attentive to the subtle rhythmic flexibilities of Ravel’s music and builds up the sonorities in delicate layers. Above all, he understands that the key to Ravel is not haziness but clarity.” --The Telegraph, 13th January 2010 ****
“Yannick Nézet-Séguin elicits disciplined and virtuosic playing from the Rotterdam Philharmonic Orchestra, with the superb. Recording enabling all sorts of details to be heard in Daphnis et Chloé. The muted string playing in La valse is delicious, with veiled tone and sighing portamentos.” --BBC Music Magazine, January 2010 ***
“This is sensational: Yannick Nézet-Séguin and Rotterdam will surely be one of those partnerships that magically adds up to more than the sum of its orchestral parts....I defy you to not gasp with sheer pleasure at the build-up of the Daphnis suite...Brilliantly played and superbly recorded.” --The Observer, 31st January 2010
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