“The outer movements of the concertos fizz and sparkle as they should
yet Helmchen finds time to sculpt phrase-endings without any loss of
momentum, heightening the drama in the process. The piano is centre
stage in the sound picture - and how Helmchen can make it sing!...his
burnished, singing tone bring[s] an unusual depth to this life-enhancing
music.” --Gramophone Magazine, January 2011
“the Rondo brillant was never meant to be anything more than what it
says...and Martin Helmchen has just the youthful energy and dazzling
technique to make the most of it. Everything is kept light and
good-humoured, and this is really also the right manner for the
concertos” --International Record Review, December 2010
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